Memoirists are often held up to harsh light. The needle-prodding into what is truth, what is your truth, what is the one and only truth? And what are our memories but perceptions? I am going to trust my language, trust my memory that abides more by flashbacks in body and cognition. I can tell you I will honor my suffering, I will trust that what I went through is worth writing about and I only know that because it has kept me awake at night for over fifteen years. My mind is wired against what is expected of nonfiction writers, so I will tell my story as I have seen it and felt it, in a sort of peripheral blur of cognitive, emotional, and physiological flashbacks, along with so many moments of clarity that I could never outrun. I know what happened happened, because my body remembers it the way you might remember the feeling of water holding your body up in the ocean, the way your grandmother’s arthritic fingers traced circles on your hand and back when you were young and maybe afraid; the way rain smells on the street and the vision of those drops on the blooms by the back door where you retrieve your newspaper and Spring fills you and in that moment–you may have missed it–but you were existing between two spheres, coexisting in the memory of the fragrance of lilacs in rain in May while simultaneously putting your body in the present moment of something new.
That is how I work–I am between those spaces yet in both at the same time, so that part of me steps back and watches on the fringe, curious.
Like the time I smelled ici perfume at Macy’s about ten years ago and it pleasured my sense of smell while at the same time triggered an old emotional state and fear response because I suddenly was aware that I had been wearing that perfume on the Sunday afternoon after church when my stepfather told me he didn’t see me as his real daughter but rather as an object of desire he would try to control himself around. Read More